Guardians of the Kewiña: the sacred forest that blooms far away and in silence | Guardianas de la Kewiña: el bosque sagrado que florece lejos y en silencio

By Leonardo Putaré, El Deber:

kewiña

Kewiña crops in the highlands of Chiaraje, in the department of Cochabamba

At the highest point of the Tunari, the women of Chiaraje are restoring the kewiña forest—and with it, their community. Amid cold, faith, and neglect, they plant trees, autonomy, and a future. This is the story of a rebirth woven with roots and courage.

kewiña
Seedlings that will soon become a kewiña forest.

High in the Andes, where the wind creaks through stones and fog blurs the landscape’s edges, Chiaraje endures. Ninety-three kilometers from the city of Cochabamba, this small farming community clings to its identity as the kewiña clings to the cliffs. There, where life demands courage and forgetfulness looms, the women decided to change history from the root.

It all began with a tree. Not just any tree, but the kewiña (Polylepis pacensis), a relic of pre-Columbian times that grows between 3,800 and 4,500 meters above sea level. Its scaly trunks seem to hold centuries of memory. Sacred tree, silenced tree. For years, it was cut down, dismissed, replaced by foreign species like pine and eucalyptus, which grow fast but dry the soil and kill biodiversity. The kewiña, in contrast, protects water, enriches the soil, and shelters hundreds of species. And now, it also gives meaning to a community.

Warmi Kewiñas

It was thanks to the Faunagua organization and the support of Acción Andina-ECOAN that the kewiña took root again in Chiaraje. But it didn’t do so alone: it found hands, voices, and the names of women determined to bloom with it. That’s how the Warmi Kewiñas group was born—an alliance of women who stepped out of communal anonymity to become leaders, caretakers, and sowers of the future.

“We are strong like the kewiña,” says Irma Vicente Fernández, one of its founders. She and her sister Andrea overcame shyness, the fear of speaking, the weight of invisibility. “We didn’t know how to read or write. Now we can sign our names, now we speak,” she says with a mix of pride and humility.

The key was a pedagogy of respect. Norma Chocal Escobar, the project’s social technician, didn’t come to impose, but to listen. She proposed reflection circles where women could think about themselves beyond the role of wives or mothers. “What do I want? What do I need? Who am I?”—these were new questions. And powerful ones.

In a short time, the Warmi Kewiñas began to read, to write, to speak on the radio, to participate in contests. Where once they were “helpers,” they are now role models. What the kewiña does for the land, they do for their community.

Warmi Kewiñas

On a fenced hillside, where neither sheep nor neglect can enter, the forest’s heart beats: the nursery. There, among tiny sprouts and bare roots, Andrea cares for each plant as if it were a child.

The process is slow, almost ritualistic. Under the guidance of agronomist Víctor Cáceres Guzmán, ancestral knowledge is combined with science: seedling rescue, cuttings, organic substrates. No plastic, no haste. Each kewiña grows at the pace of patience and respect.

But the nursery is more than a tree factory. It is a symbol. A space for learning, gathering, and prayer. When a plant weakens, they pray. When it blooms, they give thanks. The earth is not a resource: it is a mother.

More than trees

The project’s impact goes far beyond the forest. The Warmi Kewiñas have diversified their production: they grow oca, papalisa, fava beans, and vegetables. With technical support, they have improved irrigation and gained in harvests and food sovereignty.

They have also generated their own income. With recycled plastic bags, they make earrings, keychains, and hats. Andrea weaves one in six hours. They sell their products at fairs, aspiring to make Chiaraje a community without trash.

Cultural pride has also resurfaced. The polleras are back, as are wool weavings and songs. Where once there was shame, there is now memory. Where there was silence, there is now song.

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