A Gift of Art: Holguín’s Masterpieces Restored by the U.S. | Un Regalo de Arte: Obras Maestras de Holguín Restauradas por EE.UU.

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Bicentennial: Bolivia receives restored works by Melchor Pérez de Holguín as a gift

The works of the Cochabamba-born artist are an essential part of Bolivia’s cultural legacy, and his image appears on the 50-boliviano banknote.

“La Anunciación” restaurada, de Melchor Pérez de Holguín./ CORTESÍA
“The Annunciation” restored, by Melchor Pérez de Holguín./ COURTESY

Four restored paintings by the renowned colonial painter Melchor Pérez de Holguín are the gift with which Bolivia celebrates its Bicentennial in 2025.

These include the pieces “The Dream of Saint Peter Nolasco,” “The Divine Sowing,” “The Divine Branches of Saint Joachim and Saint Anne,” and “The Annunciation,” which were restored thanks to the Ambassadors Fund for Cultural Preservation (AFCP) of the United States government, with an investment of $40,690.

Two of these works have already been fully restored and were officially handed over on Monday, June 30, in Sucre by Chief of Mission Debra Hevia, as part of the celebrations for Bolivia’s Bicentennial. The other two paintings are currently in the process of restoration. These works are the U.S. gift to the Bolivian people.

The restored paintings were originally commissioned by the Mercedarian Order in the 18th century; they are part of the heritage of La Merced Church in Sucre and will be exhibited in the Cathedral Museum as a testament to the deep collaboration between both countries and their shared commitment to protecting cultural heritage.

The restoration, which began in November 2024, met international conservation standards. It was carried out by Bolivian master restorer Ricardo López and his team.

“This project is more than a restoration; it is a tribute to Bolivia’s rich cultural heritage and a reaffirmation of our enduring friendship. The United States is honored to accompany Bolivia in commemorating its Bicentennial with this cultural contribution, which represents a gesture of respect for its history, art, and spirituality,” emphasized Chief of Mission Debra Hevia during the handover of the works.

The official handover ceremony also marked the closing of “USA Week in Sucre,” a visit by all of the embassy’s programs to the White City.

“My team and I have been in Sucre to celebrate Bolivia’s Bicentennial and our national anniversary. It has been an unforgettable visit, and we are deeply grateful to the people of Sucre for their hospitality,” said the Chief of Mission.

PAINTINGS

“The Dream of Saint Peter Nolasco”: Saint Peter Nolasco, while praying in a church, dreams that some woodcutters are trying to cut down an olive tree he is defending, and Saints Peter and Paul tell him he must protect it. The Virgin explains to him that the olive tree represents the Church, harassed by the Saracens, and that he must defend it by helping the captives.

“The Divine Branches of Saint Joachim and Saint Anne or The Immaculate Conception of Mary”: The work shows the Virgin Mary as a child alongside her elderly parents, Saint Joachim and Saint Anne, inspired by the text of Isaiah about the shoot from the stump of Jesse. It depicts Mary as the sprout who will crush the serpent’s head, symbolizing her role in the redemption from original sin.

“The Divine Sowing or Allegory of the Mercedarian Order”: Based on a verse from the First Letter to the Corinthians, the painting shows the Virgin Mary sowing wheat seeds, Jesus watering them with his blood, and God the Father giving growth. It represents the creation of the Mercedarian Order, with the Virgin Mary as its founder and the blood of the Mercedarians nourishing the order.

“The Annunciation”: The painting shows the Archangel Gabriel descending from heaven in a swirl of garments and clouds, while the Virgin Mary is calmly in prayer. It is an example of the Baroque style of Charcas, notable for its movement, chiaroscuro, balance, and spirituality.

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